CD5 CEC14 3833 4898 9126 A7 E69 E6211 C0
Soteria I, Soteria II: pigment, charcoal and oil on frayed canvas, 2200mm x 1500mm
“Soteria: Dead but Alive”

Using unconventional materials at the crossroads between paintings and sculpture shatters the language traditionally used in art making.

In Soteria, discarded materials were used. Remnants of flood damage were paired with conventional material such as canvas and bronze. This choice of material emphasises art's transcendental creative nature and that system's destructive relationship with the natural world.

The act of salvage enables structural integrity. The connection between the physical materiality of the pieces inspires the viewer's experience.

The paintings and sculptures convey the powerlessness of our human condition against the unleashed natural elements and our own destructive nature.

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Bas-relief panels: assemblage of torn layers of gib boards, broken kauri wood and functional nailing patterns
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Bronze
27 A4587
Ceramic
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A80 EF9 E8 71 E3 4283 9 FD5 49 FC41 C4 B5 CA
9440 DBFF A6 A6 4 F32 A996 A828 F526430 B
07 EFA0 D9 B911 4 E41 867 A C7 F975 B09575

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